梨园戏《红眠床》Red Wedding Bed

演出名称 Performance：

梨园戏《红眠床》

Liyuan Opera Red Wedding Bed

演出阵容 Creatives & Casts：

演出单位：福建省梨园戏传承中心

主演：林秋韩、吴婕萍、陈珞、许幼娟、林诗铭、郑怡萍、陈佳怡、何超群、吴俊达、周心闽、陈志辉、郑雅思等

Performed by Fujian Province Liyuan Opera Inheritance Centre

Main Cast:Lin Qiuhan, Wu Jiaping, Chen Luo, Xu Youjuan, Lin Shiming, Zheng Yiping, Chen Jiayi, He Chaoqun, Wu Junda, Zhou Xinmin, Chen Zhihui, Zheng Yaxia

观演须知 Notices：

演出时长：约100分钟，无中场休息

入场时间：演出前30分钟开始入场

* 演出以现场为准

Duration: Approximately 100 minutes, no intermission.

Admission: 30 minutes before the performance.

* Program subject to change.a

1）剧团剧种介绍

福建省梨园戏传承中心

福建省梨园戏传承中心（原称福建省梨园戏实验剧团）是“宋元南戏活化石”梨园戏仅存的“天下第一团”。自1953年成立以来，秉持“返本开新”理念，在抢救传承《陈三五娘》《朱文》等传统剧目同时，创排了《节妇吟》《董生与李氏》等新编经典。

七十年薪火相传，成就斐然。剧团被评为“全国文化工作先进集体”，入选原文化部全国39家地方戏创作演出重点院团之一。曾获曹禺戏剧文学奖、国家舞台艺术精品工程“十大精品剧目”、原文化部优秀保留剧目等国家级重大奖项。

作为南戏活态传承的代表，演出足迹遍布海内外，与法国的5年合作，《董生与李氏》与《节妇吟》赴欧洲进行巡演，被盛赞为“达到喜马拉雅山脉之巅”的艺术高度。举办三届全国南戏展演等，持续推动古老剧种的当代传承与对话。

 About Fujian Liyuan Opera Inheritance Center

Fujian Province Liyuan Opera Inheritance Centre (formerly the Liyuan Opera Experimental Troupe of Fujian Province) is the only professional troupe dedicated to Liyuan Opera, a living fossil of Song-Yuan Southern Opera. Founded in 1953, it has remained committed to the philosophy of returning to the roots while embracing innovation—preserving and passing down traditional repertoire such as Chen San and Wuniang and Zhu Wen, while also creating contemporary classics including Lament of the Melancholy Widow and The Scholar and the Widow.

Over seven decades, the Center has received numerous national honors: National Advanced Cultural Unit, one of 39 key troupes designated by the Ministry of Culture for local opera creation and performance, the Cao Yu Drama Literature Award, and recognition among the Top Ten Outstanding Productions of the National Stage Art Excellence Project.

As a living repository of Southern Opera, the Center has performed extensively at home and abroad. A five-year collaboration with France brought The Scholar and the Widow and Lament of the Melancholy Widow on tour across Europe where the performances were hailed as reaching the pinnacle of artistic achievement. It has also organized three National Southern Opera Festivals, fostering ongoing dialogue and transmission of this ancient theatrical tradition.

梨园戏剧种简介：

梨园戏，发源于宋元泉州，是存续近九百年的最古老剧种之一，被誉为“宋元南戏活化石”。其分为“上路”（古朴苍劲，如“海内孤本”《朱文》、“南戏首本”《王魁》）、“下南”（民间故事，如《李亚仙》）和“小梨园”（“七子班”典雅精致，如《陈三》《郭华》）三大流派。表演有“十八步科母”之严谨程序，音乐为曲牌联缀体，承唐宋古乐，乐器古制，其“压脚鼓”独步剧坛。

2002年作为中国“口头和非物质文化遗产”的典型代表，被亚太文化中心列入传统民间表演艺术数据库。2006年入选首批国家级非物质文化遗产名录，在戏曲类中排名第二位，仅次于昆曲。

 About Liyuan Opera

Liyuan Opera originated in Quanzhou during the Song-Yuan dynasties. With a history of nearly 900 years, it is one of China’s oldest extant theatrical forms—a living fossil of Song-Yuan Southern Opera.

The tradition encompasses three distinct schools: Shanglu (upper route), known for its archaistic and vigorous style, with repertoire including the sole surviving ancient script Zhu Wen and the seminal piece Wang Kui; Xianan (lower route), drawing from folk tales such as Li Yaxian; and Xiaoliyuan (little pear garden), featuring the seven-role troupe exemplified by Chen San and Guo Hua. Performance follows the rigorous physical grammar of the Eighteen Basic Movements and the music adopts the suite of tune patterns with Tang-Song melodic traditions and traditional instruments, among which the unique heel-struck drum that sets Liyuan Opera apart.

In 2002, Liyuan Opera was recognized by the Asia-Pacific Cultural Center as a representative form of China’s oral and intangible cultural heritage and included in its Traditional Folk Performing Arts Database. In 2006, it was inscribed in the first group of China’s National Intangible Cultural Heritage list, ranking second among all theatrical forms—behind only Kunqu.

联合制作Co-Produced by

香港艺术节Hong Kong Arts Festival

福建省梨园戏传承中心Fujian Province Liyuan Opera Inheritance Centre

曾静萍工作室Zeng Jingping Studio

联合推广Joint Promotion

爱丁堡前沿剧展Edinburgh Fringe Showcase

恺英网络Kingnet

演出Performed by

福建省梨园戏传承中心Fujian Province Liyuan Opera Inheritance Centre

创作团队 Creative Team

艺术总监Artistic Director 曾静萍Zeng Jingping

监制Producer 林小伟Lin Xiaowei

导演Director 曾龙Zeng Long

剧本大纲Script Outline 谢子丑  Xie Zichou

剧场构作Dramaturge 江骏杰（特邀，中国香港）Jason Kong(Specially invited,Hong Kong,China)

创作顾问Creative Advisors

水晶（特邀）、香港艺术节Crystal Deng(Specially invited), Hong Kong Arts Festival

灯光设计Lighting Designer 苏志强 Su Zhiqiang

演员及角色 Cast & Characters

林秋韩Lin Qiuhan 饰　黄五娘 as Huang Wuniang

吴婕萍Wu Jieping 饰　黄五娘 as Huang Wuniang

陈珞Chen Luo 饰　陈三as Chen San

许幼娟Xu Youjuan 饰　益春as Yichun

林诗铭Lin Shiming 饰　生as sheng (male)

郑怡萍Zheng Yiping/陈佳怡Chen Jiayi 饰　旦as dan (female)

何超群He Chaoqun 饰　净as jing (big painted face)

吴俊达Wu Junda 饰　末as mo (old male)

周心闽Zhou Xinmin 饰　丑as chou (small painted face)

陈志辉Chen Zhihui 饰　外as wai (old male of high status)

郑雅思Zheng Yasi 饰　贴as tie (supporting female)

乐队 Musicians

司鼓Drum 尤毓彬You Yubin

南嗳Nanai 许培坤Xu Peikun

箫、笛Xiao and Flutes 李 志煌Li Zhihuang

南琶Southern Pipa 李臻Li Zhen

二弦Erxian 张凯莉Zhang Kaili

三弦Sanxian 陈腾宇Chen Tengyu

击乐Percussion 赵毅晖Zhao Yihui

制作团队Production Team

舞台监督Stage Manage 林东东Lin Dongdong

剧务 Production Assistant 林东东Lin Dongdong

行政助理Executive Assistant 张鑫媚（中国澳门）Zhang Xinmei(Macao,China)

场记Log Keeper 舒佳丽Shu Jiali

灯光技师Lighting Technician 上官富贤Shangguan Fuxian    

音响技师Sound Technician 尤耀增You Yaozeng    

服装Wardrobe 张婉玲Zhang Wanling

化妆造型Make-up & Styling 董绘（特邀）Dong Hui (specially invited)

化妆Make-up 郭萍萍Guo Pingping 杨小玲Yang Xiaoling

道具Props 陈焕煌Chen Huanhuang

字幕制作及操作Surtitles Production & Operator 黄彩恋Huang Cailian

宣传Marketing 舒佳丽Shu Jiali 张鑫媚（中国澳门）Zhang Xinmei(Macao,China) 苏志强Su Zhiqiang

装置Stage Installations 舒华来Shu Huailai

2）详细剧目

梨园戏《红眠床》Red Wedding Bed

取材于 梨园戏 小梨园流派 经典古本《陈三》

Adapted from the classic ancient script Chen San

故事简介

兰闺闷恹，眠床孤栖，五娘困在对陈三爱的忆念空间里，千百年来，周而复始……象征着梨园戏七个行当的黑衣人，如意识流一般，流淌进五娘的闷之空间，伴随着五娘倚靠在红眠床上，回忆与陈三的爱之过往。黑衣人们是烛光透过红眠床的雕镂光影，又是五娘爱之空间的造梦者。然而，当情到终点，古今徘徊，时光回首，像人类永恒的爱之主题，一切又从起点开始……

该作品是福建省梨园戏传承中心导演曾龙与梨园戏青年传承团队，对古本《陈三》名折《大闷》以及华东版《陈三五娘》精粹场口的重构演绎与当代表达。流传闽粤的千年荔镜笙箫，邀您共醉其古韵悠扬、时尚光影……

Story source

Lonely in her chamber, restless on her bed—Wuniang drifts through a dreamspace of longing for Chen San, a loop where centuries turn and return.

Into this reverie flow the black-clad figures: seven souls, seven role types of Liyuan opera, like streams of consciousness winding through her solitude. Against the carved red bed, memories stir.

They are shadows cast by candlelight through the bed’s lacquered lattice. They are dream-weavers in the theater of her heart.

But when love reaches its end—when past and present linger and return, when time circles back—everything begins again. For love is the eternal return, the story that never stops starting.

This is a reimagining by Fujian Province Liyuan Opera Inheritance Centre director Zeng Long and the young inheritors:a dialogue between the ancient solo masterpiece The Great Melancholy and the classic scenes of the East China version of Chen San and Wuniang. From the lantern-lit streets of Quanzhou and Chaozhou , the music of Lychee and Mirror still sings across a thousand years. We invite you to lose yourself in its timeless realm—where ancient elegance meets the light of today.

3）作品介绍

作品介绍与来源

梨园戏《红眠床》取材于梨园戏小梨园流派经典古本《陈三》，南宋，泉州才子陈三，因送哥嫂往广南赴任，于潮州灯市邂逅佳人黄五娘，一见倾心。五娘从绣楼投下荔枝表达情意，陈三故意打破宝镜，卖身黄家为奴，追求五娘。二人经“梳妆”、“留伞”之周折，订下荔镜姻盟。谁知劣绅公子林大逼娶五娘，陈三携五娘逃奔泉州，半路被官差捉拿，陈三发配崖州万里。陈三去后，五娘彻夜思念，闷恹悱恻。所幸陈三途遇兄嫂，沉冤昭雪，并往黄家说亲，二人终成眷属！

梨园戏有近900年历史，是“宋元南戏活化石”。“陈三五娘”故事原型早见于南宋，明代有《荔镜记》剧本刊行，是闽南语系地区流传千年、家喻户晓的美丽爱情传说，也是梨园戏最负盛名的招牌经典剧目。1953年剧团建团后，梨园戏将古本《陈三》整理为《陈三五娘》，情节演至逃奔泉州为结局，参加上海华东戏剧会演，轰动海内外。

本次《红眠床》以古本名折《大闷》中五娘对陈三的思情为引线，贯穿华东版《陈三五娘》的经典场口，通过“情之结界”、“黑衣人”等新型舞台解构呈现，彰显梨园古剧跨越千年的当代时尚，展示梨园戏青年传承团队的蓬勃风貌！

本剧前身《平行时空・陈三五娘》于2023年蛇口戏剧节首演，并在2025年泉州“海丝新空间|戏剧孵化计划”接力孵化，在2026年3月以梨园戏《红眠床》登上第54届香港艺术节，入选2026年度福建省舞台艺术精品工程。

本作品由梨园戏领军人物、文华表演奖、中国戏剧梅花奖二度梅得主曾静萍任艺术总监，林小伟任监制，曾龙导演，谢子丑整理剧本大纲，中国香港戏曲创作人江骏杰任剧场构作，艺术节策展人水晶任创作顾问，苏志强任灯光设计，爱丁堡前沿剧展、恺英网络作为联合推广，香港艺术节、福建省梨园戏传承中心与曾静萍工作室联合制作，以传统表演叠加新的剧构手法，为经典名篇注入现代气息。